By Tim King · Updated
Colour Name Generator
Colour Names From a Hex Value, Matched to Its Hue and Tone for Palettes
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How the Colour Name Generator (From A Hex Value) works
This colour name generator names any hex value from its hue and tone. Paste a hex value and generate names for that colour: the hex is read into a hue family and a tone in the browser, and every word list follows it, so #4A6FA5 gets Harbour Slate, Dusty Cornflower, Deep Blue, Ink at Dusk and Blueberry, while #C9A227 gets Tuscan Ochre, Burnt Gold, Rich Mustard, Sunflower at Noon and Honey. Pick a convention and generate up to a hundred.
How the colour name generator decides hue and tone
A colour in a design system, a palette or a product range needs a name that people can say and remember, and a name that fits the actual hue and tone is harder to make than it looks, because Dusty Rose on a vivid magenta or Midnight Navy on a pale blue reads as wrong at once, which is why this page classifies the hex first and picks its words second. The hex is converted to hue, saturation and lightness in the browser; the hue angle falls into one of twelve families, red, orange, yellow, green, teal, blue, purple, pink, brown, grey, white and black, with dark oranges and yellows read as brown and low-saturation colours read as grey, white or black; and the lightness and saturation fall into a tone, pale, light, mid, deep, dark, vivid or muted. Every word list is nested on those two, so a colour word, a material, an object, a food and a mood are drawn from the family, and the descriptive adjective from the tone. The paint-chart convention, Harbour Slate, Tuscan Ochre, Slate No. 214, is a place or a wearing word and the material that is the colour, the register of a heritage chart; the fashion convention, Dusty Cornflower, Autumn Rust, Velvet Plum, is an adjective or a season and a colour word, the register of a clothing colourway; the descriptive convention, Deep Blue, Muted Sage, Vivid Tangerine, is the tone and the colour said plainly, the register of a design token; the poetic convention, Ink at Dusk, Harbour Calm, Reverie, is an object at a time or a single mood word, the register of a candle or a cosmetic; the material convention, Slate, Verdigris, Denim, is the thing that is that colour, the register of an interiors range; and the food convention, Blueberry, Cocoa, Pistachio, is the edible thing that is, the register of a supermarket own-brand.
The names are colour words, materials, objects and ordinary English fitted to the hex, so a result is a new combination rather than a catalogue lookup by design; this page does not know the nearest named web colour or Pantone reference and does not try to, it names the colour the way a brand would. Paint, cosmetic and fashion colour names are trademarked in their classes and the material and food conventions are crowded, so search a name before printing a real chart and treat a coincidence as likely.
For a whole paint chart in the heritage conventions, the Paint colour name page; for a nail polish or a lipstick in the same shade, the Nail polish name and Lipstick shade name pages; for the hex value itself, its contrast and its nearest web colour, the Colour tools in the Design section; for a palette built around it, the Analogous colours and Complementary colours pages; and for the perfume in a bottle of that colour, the Perfume name page.
FAQ
What hex formats does it accept?
Six-digit hex with or without the hash, #4A6FA5 or 4a6fa5, and three-digit shorthand, #46A, which is expanded. Anything else produces no names until it is corrected. The value is read in the browser and nothing is sent anywhere.
How does it decide the hue and the tone?
The hex is converted to hue, saturation and lightness. The hue angle picks the family: red around 0, orange to 45, yellow to 70, green to 165, teal to 200, blue to 260, purple to 300 and pink to 340, with dark oranges and yellows read as brown. Saturation under about twelve percent reads as a neutral, split into white, grey or black by lightness. Lightness then sets the tone from pale to dark, with very saturated mid colours read as vivid and low-saturation colours read as muted.
Why does a colour come out as brown or grey when I expected orange or blue?
Because the eye reads a dark orange as brown and a desaturated blue as grey, and the classifier follows the eye rather than the hue angle. A #8B4513 has an orange hue but reads as brown to everyone, so the brown lists are the right ones. Lighten or saturate the value and the family will change.
Are these the official names for the colour?
No. There is no official name for a hex value; the web colour names, Pantone references and paint brands each have their own, and this page invents new ones in the conventions those brands use rather than looking any of them up. For the nearest named web colour, use the colour tools in the Design section.
Can I use these names for fiction or test data?
Yes. The names are colour words, materials, objects and ordinary English fitted to the hex, and they belong to no one until a brand registers them; coincidence with a real paint, polish or fashion colour is likely, so search before a real range. For a design system, a palette mock-up, a product colourway in a demo store, a fictional brand or a story, use them freely.
See also: all Places & Things tools, People, Fantasy & RPG, Sci-fi, Culture & Language, Online & Social, Business & Brand.
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