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Song Title Generator

Pop, Rock, Country, Hip-Hop, Folk and Electronic Song Names

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Shortlist 0

Nothing kept yet. Press on a name to shortlist it. The list stays on this device.

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    How the Song Title Generator works

    This song title generator mixes real naming patterns into new names. Generate song titles in the shapes real songs use: Tell Me Again and Hold Me Tonight as an imperative, Neon Heartbreak and Fire and Bones as two nouns in a mood, Dancing on the Highway as a gerund phrase, Sunday Morning Ghost and 4am in Tokyo as a place and time, Don't Wait Up as a negative command, and Midnight (Still Here) as a title with a parenthesis. Pick a genre, choose a shape and generate up to a hundred.

    Song title generator: choosing a name that fits

    A song title is the hook written down, usually the phrase the chorus lands on, and titles fall into shapes that each genre repeats, which is why the Genre select changes the words and the Shape select changes the grammar. The imperative form, Tell Me Again, Hold Me Tonight, Kiss Me Slowly, Save the Lights, is the pop shape, a verb aimed at someone with an adverb that becomes the last word of the chorus, and it is the commonest title there is because a chorus is nearly always a request. The two-nouns form, Neon Heartbreak, Fire and Bones, Whiskey Sunday, Gold Chains, is the rock and hip-hop shape, a mood adjective and a concrete noun or two nouns side by side, and it names an atmosphere rather than a request. The gerund form, Dancing on the Highway, Falling in the Rain, Still Breathing, Holding On with You, is the shape that describes the song's one continuing action, and it is the shape of the slow song and the driving song. The place-and-time form, Sunday Morning Ghost, Midnight on the Rooftop, 4am in Tokyo, Saturday Night Radio, is the setting as title, a time of day or a month and a place, and country, pop and electronic music all use it, since a song is usually about one night. The negative command, Don't Wait Up, Don't Call Me Tonight, Never Leave Me Slowly, is the imperative in reverse and reads as the sad version of the same song. And the parenthesis, Midnight (Still Here), Tell Me (Reprise), Neon Fever (Slowed), is the twentieth-century pop convention that puts the chorus's second phrase, the version, or a stage direction in brackets, and a tracklist with one parenthetical title in it looks like a real record.

    The words are ordinary English in the shapes songs use, so a result is a new combination rather than a real song by design, though short song titles are the most-repeated titles in any art form, hundreds of songs are called Tonight, and titles are not copyrighted, so a coincidence is normal and harmless. A song title is also read on a streaming screen and shouted at a gig, so the shapes here are one to five words, and the parentheses are short.

    For the band, the Band name page in the Online section; for the record, the Album name page; for the songwriter's stage name, the Stage name page in the People section; for a poem the song might be set from, the Poem title page; for the film it plays over, the Movie title page; and for the label, the Business section.

    FAQ

    What makes a good song title?

    The phrase the chorus lands on, which is why the best titles are two to four words a crowd can sing. A title that is not in the song confuses the listener searching for it; a title that is the hook is the search. The imperative, Tell Me Again, and the two-noun mood, Neon Heartbreak, are the two shapes that most often become hooks.

    Can two songs have the same title?

    Yes, and they do constantly: titles are not copyrighted, and short ones are shared by dozens of songs each. What is protected is the melody and the lyric. The only practical problem is search, so if your title is one word, expect to be found by the artist name rather than the song.

    What goes in the brackets in a song title?

    Traditionally the second half of the hook that would not fit the title, (I Can't Get No) Satisfaction, or the version, (Acoustic), (Remix), (Live), or a stage direction, (Reprise), (Interlude). Modern tracklists use it for a subtitle or an aside, (Still Here), (Don't Go); one parenthetical per record is plenty.

    Which shape suits which genre?

    Pop and country lean on the imperative and the place-and-time; rock and hip-hop on the two-noun mood; folk on the gerund and the place; electronic on a single noun or two abstract ones. The Genre select changes the vocabulary within each shape, so a rock imperative gets Burn and Scream where a country one gets Drive and Pray.

    Can I use these titles for fiction or test data?

    Yes. The titles are ordinary English words in the shapes songs use, and titles are not owned, so they belong to no one, and coincidence with a real song is expected and harmless. For a fictional band's setlist, a music app's demo library, a playlist mock-up or a sample tracklist, use them freely.

    See also: all Places & Things tools, People, Fantasy & RPG, Sci-fi, Culture & Language, Online & Social, Business & Brand.

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